109-111. Louis, causes of violence in schools essay MO: Contemporary Art Museum,. Who would you like to send this to? James Whistler as the Invisible Man: Anti-Aestheticism and Artistic Vision, Oxford Art Journal 29 (Spring 2006 53-75. Philip Gustons Modernist Follies, in New Perspectives on Philip Guston (New York: New York Review of Books, 2015). Robert Slifkin, Out of Time: Philip Guston and the Refiguration of Postwar American Art (University of California Press, 2013). Bruce Nauman Going Solo, in Bruce Nauman Going Solo (Portland, OR: Companion Editions, Distributed.A.P., 2012). Comparativism in Art History (Cambridge: Cambridge University Press, 2016 165-179. Total abstract views: 0 loading metrics. Outside the White Cube (With Occasional Political Overtones review of Philip Kaiser and Miwon Kwon, eds. . One More Time with Feeling, review of Caroline.
The Allusion of Anxiety: Donald Judds Untitled (1969 Yale University Art Gallery Bulletin (2004 114-119. Academic Degrees, phD, History of Art, Yale University, 2007 MA, History of Art, Williams College, 2002 BA, History, minor Folklore, University of North Carolina, Chapel Hill, 1995 Beinecke Fellow, Clark Art Institute, 2016 Phillips Book Prize, 2012 Henry Moore Foundation, samuel beckett essaye encore Fellow, 2011-12 Stanford Humanities Center. Joan Mir and Detrital Monumentalism in Postwar Sculpture, in Miro and Twentieth Century Sculpture,. (Doylestown, PA: James. Paul Thek: Artists Artist, Art Journal 70 (Fall 2011 103-105. Exquisite Corpse, in Wyatt Kahn: Object Paintings (St. Jones, Eyesight Alone: Clement Greenbergs Modernism and the Bureaucratization of the Senses and Jonathan Harris, Writing Back to Modern Art: After Greenberg, Fried, and Clark, Oxford Art Journal 30 (Spring 2007 341-345. Contact (on sabbatical fall 2020 associate Professor of Fine Arts, sample Courses. Selected Publications, the Empty Room and the End of Man, in Alexander Nemerov,., Experience (Chicago: Terra Foundation, 2017 156-187. Lippard and the Emergence of Conceptual Art, Oxford Art Journal 37 (2014 103-107.
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