is quite beautiful alone; nothing but is beautiful in the whole. The rude village boy teases the girls about the school-house door; but to-day he comes running into the entry, and meets one fair child disposing her satchel; he holds her books to help her, and instantly it seems to him as if she removed herself. Still I am a poet in the sense of a perceiver and dear lover of the harmonies that are in the soul and in matter, and specially of the correspondence between these and those. Here Emersons impulse to draw moralistic lessons from nature reminds us of another famous early nineteenth century American poem, William Cullen Bryants To a Waterfowl. The Rhodora is an early poem in which Emersons attention to sharp and precise details of his New England landscape stands out against his otherwise generalized and formal poetic style. As the wind-sculpted snowdrifts create beauty from the materials at hand, the poem rounds on itself in the poets implicit admiration of natures work. They try and weigh their affection, and, adding up costly advantages, friends, opportunities, properties, exult in discovering that willingly, joyfully, they would give all as a ransom for the beautiful, the beloved head, not one hair of which shall be harmed. Emerson says that, through this feel of Love, many have crossed borders, some may have done mistakes, some may have sacrificed and many more. Thus even love, which is the deification of persons, must become more impersonal every day. Cling with life to the maid; But when the surprise, First vague shadow of surmise Flits across her bosom young, Of a joy apart from thee, Free be she, fancy-free; Nor thou detain her vestures hem, Nor the palest rose she flung From her summer.
As a result, his poems are as spare as their native landscape. "The person love does to us fit, Like manna, has the taste of all.". For the prevision is allied, unto the thing so signified; Or say, the foresight that awaits. As the broadest overview of his ideas, Nature calls for a renewed spiritual relationship with the universe (or rather, God and nature, two sides of the same coin for him unchained from the past, based on personal experience and revelation.
On this green bank, by this soft stream, We set today a votive stone; That memory may their deed redeem, When, like our sires, our sons are gone. He tried to become the poet he called for. An Address Delivered Before the Senior Class in Divinity College, Cambridge. This open form was perhaps best suited to Emersons oracular style that aimed to leave a few memorable lines with the reader. Their once flaming regard is sobered by time in either breast, and, losing in violence what it gains in extent, it becomes a thorough good understanding. Danger, sorrow, and pain arrive to them, as to all. Give All to Love, emersons fondness for paradoxical logic and the union of apparent opposites appears in yet another poem, Give All to Love, which initially appears to falter on the contradiction between yielding to love and retaining ones individuality.
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